MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century


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MAULBERTSCH, Franz Anton Joseph and his Brothers t oil


Joseph and his Brothers t
Painting ID::  8154
Joseph and his Brothers t
1745-50 Oil on canvas, 73 x 90,5 cm Museum of Fine Arts, Budapest
   
   
     

MAULBERTSCH, Franz Anton Interior of the Church sg oil


Interior of the Church sg
Painting ID::  8155
Interior of the Church sg
Parish Church, S??meg
Parish_Church,_S??meg
   
   
     

MAULBERTSCH, Franz Anton Adoration of the Shepherds (detail) sg oil


Adoration of the Shepherds (detail) sg
Painting ID::  8156
Adoration of the Shepherds (detail) sg
1758 Fresco Parish Church, S??meg
1758 Fresco Parish_Church,_S??meg
   
   
     

MAULBERTSCH, Franz Anton Visitation (detail) sgh oil


Visitation (detail) sgh
Painting ID::  8157
Visitation (detail) sgh
1771-77 Fresco Cathedral, V??c
1771-77 Fresco Cathedral,_V??c
   
   
     

MAULBERTSCH, Franz Anton Annunciation (study) sg oil


Annunciation (study) sg
Painting ID::  8158
Annunciation (study) sg
1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely
   
   
     

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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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